The following is a sizeable article I wrote regarding my visit to Osaka, Japan during July, 2014. Enjoy!
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I sometimes fancy myself a Buddhist monk. After all, as a wheeler, I spend much of my day seated on a stable base; so do monks. I have a unique perspective on the world that allows a glimpse into deeper truths that hurried-footed folk sometimes scurry past. Monk. And, my physical existence demands a bit of extra care, attention, and self-awareness, which, balanced with an acknowledgment of the fleeting nature of life, body, and existence, allows me – at some point – to let go of the physical world. Monk, monk, monk.
So when I found myself wheeling through a secluded cemetery atop a mossy
mountain in Japan, surrounded by ancient trees, inhaling clean fogs of history
and spirit, on sacred grounds that felt countless miles away from the turmoil
of the planet, and face to face with a Buddhist monk…I felt at home.
Sacred cemetery at Koyasan |
Now, at least at this particular point in life, I am NOT a Buddhist
monk. I am an actress, who found
herself in Japan in July 2014. My
first visit had been in 2006 with a cultural exchange for young people with
disabilities sponsored by Mobility International USA; a magical trip of
homestaying, exploring the wilds of the Tokyo subway, comparing Japanese and
American sign languages, and scything through tall grasses at the Tokyo Wild
Bird Park. I left that trip
dreaming of an opportunity to return.
So when I was invited to present at Big-I – an arts, culture, and communication
center for people with disabilities in Osaka – I dove in.
Now, for those who don’t recall grade-school geography, Japan is an
island, just east of the Koreas and China, and an 11-hour plane flight west of
San Francisco, which is where I began my journey. Unlike my other previous international trips (to Japan,
Dubai, Europe, Brazil), this time I would be traveling alone. Which, inevitably raised the
question…um, bathrooming? Upon
boarding, they initially offered the on-board aisle chair to wheel me to the
bathroom mid-flight. My take on
that: big hassle…especially compared to the ease of my mitrofanoff, which
allows me to efficiently and somewhat-modestly empty my bladder into bottles
via my belly button. I explained the situation to Saki, the flight attendant,
who responded that she had no problem assisting my bottle-emptying processes.
Woohoo, cross-cultural conundrum #1 solved!
Problem #2: An 11-hour flight.
We plegics (para, quad, etc) sit. A lot. But, sitting still on a plane is different from being in
your custom chair where you can wriggle and weight-shift. Personally, I get uncomfortable, even
on my personal cushion. So, I
employ other strategies including compression socks, massaging my legs,
stretching, and doing yoga moves to prevent leg swelling, skin issues, and
discomfort. In close plane
quarters, I typically give my seat neighbor a heads up about this squirmy
behavior. However, this time I
requested at the gate that, if they had any seat with an open space next to it,
I’d appreciate being seated there (since, most likely, I’d be the only person
on the flight unable to stand up and move around). I ended up with my own row,
and could wriggle to my delight.
(And by the way, I was NOT the only wheelchair user on the flight…there
ended up being 4-6 Japanese wheeling passengers, so I was in good
company.) Conundrum #2 solved!
Problem #3: EVERYTHING ELSE in a foreign country where you only speak
bits of the language but need to communicate unique and important needs. Yet within minutes of arriving at the
gate in Osaka, I was reminded of why I love traveling to Japan: they are ON
IT. They are respectful,
efficient, and have common sense about things like post-flight wheelchair
assembly, or engineering stable aisle chairs that don’t topple over in the
absence of a buff attendant. (See PHOTO: Why can’t we get these aisle chairs in
the United States?)
Aisle chair in Japan - the big side wheels pop off once you're loaded...much more stable! |
Plus, Japanese
culture is one of integrity, friendliness, and respect. Meaning…people don’t insert themselves
when they don’t know the proper assistive technique, or when assistance isn’t
needed. I admit that their efficiency
sometimes made me feel slightly nervous about taking more time to do things
myself, but I never had to contend with someone interfering in the “you look
incapable so I’m going to help you even if it results in calamity” kind of way
(which often happens in the US).
Within minutes of disembarking the plane, I had visited a fully
accessible airport bathroom, breezed through the empty “accessible” customs
line, been greeted by my hosts, and loaded into a spotless cab (driven by a
white-gloved female cabbie) for the hour-long ride to Big-I.
Makoto Tsuji and Regan at Big-I |
BIG-I
As much as I read about Big-I before arriving in Japan, I didn’t fully
understand what it was…mostly because the United States doesn’t really have
anything like it. (The Ed Roberts
Center in Berkeley is probably the most comparable.) The International Communications Center for People with
Disabilities – or “Big-I” – was established by the Osaka government in 2001 to
serve people with disabilities through arts, culture, and advocacy programming,
while also providing the local and international community with social service
training related to persons with disabilities. On any given day, Big-I may host a local conference on
disaster preparedness, a symphony of schoolchildren invited from Tokyo to
perform in the center’s music auditorium, an international artist who is
presenting a theatre or dance workshop for people with disabilities, or all of
the above. The Big-I building
includes a state-of-the-art music auditorium, conference/study rooms, a
restaurant, and – most uniquely – a “hotel” with 40+ guest rooms, in Japanese
and Western style.
And the kicker: EVERYTHING is fully accessible. The seats in the auditorium can be
reconfigured to accommodate any number of wheelchairs on the main level (up to
150).
Modular and accessible aisles |
The ground floor chairs can be removed for wheelchair accomodation |
Main barrier-free plaza at Big-I |
It’s a paradise of automatic
doors. The public bathrooms are
equipped with changing tables large enough to accommodate an adult. The elevators have video screens that show
sign language interpreters that echo the auditory announcements. And the guest rooms are an access
junkie’s dream: switches within reach, doorbells that also flash light when
triggered, handrails, wheelchair-level beds, space to maneuver, and a bathroom
with numerous grab bars, plenty of surfaces to set supplies, and a shower area
that allows for the choice of using the tub or the flat, rollable shower area
just beside the tub.
Accessible bathroom with shower or tub |
It’s not glamorous, but it doesn’t need to be; as is often the case
around Japan, function takes precedence over fancy. This is my kind of philosophy: I could care less about
whether a bed is made of hand-carved, gold-inlaid wood that some dude stained
with cherries two hundred years ago…if it’s too high for me to transfer, it’s
useless. And the Japanese know how
to arrange spaces efficiently and rationally: Japan has huge populations living
in a limited amount of space (the population density of Osaka-Kobe-Kyoto is
13,900 per square mile, compared to 4,600 in New York). Therefore, their space-utilization
techniques often outperform the standards of the ADA, and, frankly, just make
more sense (as though the designer has actually thought about what people need,
rather than just trying to fit arbitrary code requirements).
Big-I Director Makoto (Mako-chan) Tsuji – a T-4 paraplegic himself, from
a car accident 40 years ago – has personally considered every aspect of access
in each cranny of the building.
And he’s still not satisfied – the one challenge I had was fitting my
padded travel bathroom chair over the Japanese-style wall-mounted toilet, which
does not taper inward at the back.
He respectfully asked to see the situation himself…I imagine this will
be remedied by the next time I visit.
Wall-mounting toilet with fancy Japanese amenities! |
In speaking with Mako-chan, an unassuming businessman, advocate, and
former athlete, it’s clear that he realizes one of the biggest challenges for
people with disabilities is finding affordable, accessible accommodations. I have found that even in big cities
like New York or Los Angeles, accessible and affordable options can be scarce:
access = space = hefty pricetags.
A person with a need for “barrier-free” (the commonly-used term in
Japan) accommodations can stay at Big-I when visiting the center itself, or
when in Osaka for other business or pleasure. Big-I is also located a few hundred feet from the train
station, and multiple barrier-free malls.
It’s no wonder, therefore, that I encountered a wide range of people
with disabilities (and their families) at Big-I. Many of them attended my presentation: folks from an
integrated-ability hip-hop dance troupe, teachers and personal attendants of
persons with intellectual disabilities, and parents…some of whom are still
coming to terms with the injuries or conditions that have impacted their
children. I spoke about my spinal
cord injury and how I rediscovered my life purpose in theatre, ultimately
deciding to forge a life as a professional actor. It was an exercise in patience as the talented interpreter
re-stated each of my sentences in Japanese, but the entire audience was incomparably
attentive and respectful, even when a loquacious attendee with slow speech
decided to share a rather long explanation of her own journey. No one checked their phones or tried to
take the microphone away. We all
listened.
Lovely presentation attendees... |
And a beautiful gift! |
After the presentation, I spoke with numerous individuals who expressed
gratitude for my presence: An older gentleman who had traveled from Hiroshima,
where he survived the atomic bomb as a child; a middle-aged man who said he was
sorry he could not bring live flowers for me, and had instead compiled an
extensive book of rose photographs he had taken himself (the first of countless
gifts I would receive on the trip); and a mother who was wrestling with raising
a child who, in the eyes of society, was not “normal”. Time after time, it was clear that,
despite our inability to speak each other’s languages fluently, we all shared a
bond rooted in the social experience of disability that was understood without
translation. Even though I was
supposed to be the one imparting knowledge, I felt like a student among
numerous senseis who were illuminating the true purpose of life. Monk-style.
Beyond Big-I
A little context about me: I like adventure. Pushing boundaries.
Living on the edge. Using
every day of my life to explore something different and extraordinary. This doesn’t mean I constantly launch
myself out of airplanes; sometimes it’s as simple as trying a food I think I
dislike, or speaking impromptu with a friendly stranger, or venturing someplace
I could get lost. I’m a libra, so
I like to balance the adventure with enough caution to stay alive; living on an
edge that has a lip so I don’t go toppling over the side.
As a wheeling traveler, I’ve found I sometimes have to compromise
adventure for practicality or safety.
I mean, I would love to trek atop a donkey through Arabian sands to
Petra, but this level of adventure raises the probability of side hazards, like
skin sores from sand-sleeping or undetected bug bites, bowel and bladder
infections from lack of sanitary conditions, and general overall physical risk
and exhaustion from being in an environment that isn’t built to support the
needs of unique bodies. The best
wheeler travels, in my experience, provide adventure AND afford the ability to
take-care-o’-yo’-stuff in a way that isn’t so complicated that it ruins the
experience.
Sake tasting at Fukuju Brewery |
For the wheeler who doesn’t want to succumb to perpetual travel on
cruises, Japan is a perfect fit: you can find yourself atop a secluded mountain
oasis, or inside a giant ancient temple amidst a magical foreign culture, but
have arrived there thanks to modern amenities that reduce barriers. With less stress being spent on “how
will I get up the mountain into the temple?”, one can focus on the better
vacation stressors: “Do I want ramen or okonomiyaki today?!”
Attendants place the portable ramp at the subway station |
This is not to say Japan is infallible on access. Some restaurants and shops are cramped
for wheelchairs, some buildings have steps and no ramped entry, and it can be
challenging to navigate the subway or other access conundrums (particularly if
you don’t speak Japanese). But, for the most part, even in the absence of an
impending national law preventing discrimination against people with
disabilities (to be fully implemented in 2016), Japan has effectually made the
wide majority of public spaces accessible. And again, many things that are engineered with intentions
unrelated to accessibility end up being barrier-free due to their functional
design. For example, the “Japanese
style” door (essentially a sliding pocket door), which is often automatic,
allows for space-saving in tight quarters like bathrooms, and is generally
easier and safer to open than a swinging door.
Famous landmark in Osaka |
When it comes to creating barrier-free zones, Japan takes what I dub the
“video game approach.” In America,
questions of access often get over-complicated and over-thought, which leads to
hesitation. If a business has
steps and needs a ramp, it can get belabored by: What kind of ramp? How much will it cost? Who is liable? Do we have to change the entire front
of the building? Will it be
visually appealing? Will the
entrance be built to code? Will we
get sued? And so on. The result – as I have often seen – is
business owners making excuses for NOT making accommodations, which they
exaggerate as an overwhelming hassle.
Now, the ADA didn’t intend for access to equal hassle; the point was for
businesses to make reasonable accommodations, which could mean investing a
couple hundred dollars in a modular ramp for a stepped entrance. But fear,
litigation, and bureaucracy often get in the way of simple solutions.
In Japan, I don’t feel burdensome.
The “video game approach” means that the question of a ramp is as simple
as, “Boop boop! Create a little
pathway here…beep beep! Lay down a
ramp over this crevasse here…bing!
Bing! Help push the
wheelchair onto the magic mushroom, and DING! Get the princess!”
It’s like access challenges are little miniature projects that are
treated with levity, efficiency, and duty…not feigned difficulty and
patronizing attitudes (which has too often been the case for me in
America). And frankly, it takes
all of 30 seconds for the svelte subway station attendant to ask which stop
you’re getting off, and to grab the temporary metal ramp and pop it over the
subway platform gap. Or, for the
restaurant owner to grab a washcloth and wipe down a person’s wheels so that
dirt isn’t tracked into a shoe-free restaurant.
Lighting prayer candles at Koyasan |
And many of these solutions abound in Japan. The subways are nearly all navigable for wheelers. Ancient temples in Nara have ramps that
allow wheeling entry to sacred spaces.
And one of my favorite experiences – the UNESCO World Heritage Site of
Koyasan – has lifts, ramps, and attendants that assist in getting on the steep
trolley car that ascends to the top of the mountain.
Accessible lift to board the steep mountain tram |
Once there, accessible paths guide you through sacred
cemeteries rich with Japanese history, and temples where monks from a
millennium ago are still believed to be inhabitants. The journey requires stamina, and taking the train from
Osaka made for a long day of travel.
(There are lodgings at the top of Koyasan, but I did not get to evaluate
their accessibility.) But the
journey is worth the long trip, and for a short while I was able to envision
myself as a wheeling samurai who had sojourned to dabble in the monk’s life.
Accessible entrance to Nara Temples |
Koyasan accessibility |
Nara Temple |
Nara Deer Park...they are gregarious! |
Other enjoyable side trips included a visit to Fukuju Sake Brewery in
Kobe, complete with delicious sake tasting; a visit to the Tenjin Festival,
celebrating traditional deities with costumes, food, fireworks, games, and
more; and a show at the National Bunraku Theatre, where artists bring ancient
stories to life through precise manipulation of classically handcrafted
puppets…one of the most masterful and impressive storytelling forms I’ve ever
seen.
"Bire" at Tenjin Festival |
Yum...traditional lunch at sake brewery |
Rice cracker "junk food"! |
And of course, the FOOD: okonomiyaki, ramen, rice, fish, pickled
vegetables, miso, tofu, tea, omrice, rice crackers, pork buns, beer, teriyaki,
sushi, and more…I couldn’t get enough of the traditional Japanese cuisine. Plus, for the brave-stomached, you can
witness vendors in the markets prepare eels, fish, and other delicacies right
before your eyes, from the tank to the table.
Tenjin Festival |
Traditional Bunraku Theatre in Osaka |
Sign indicating the programs that serve people with disabilities at the Nara Temples |
I learned after my trip that there is an unfortunate Japanese word that
has come into existence in the last couple of decades: karoshi. Literally translated it means “death
from overwork,” and is used in relation to people who die suddenly due to
physical stress, heart attack, stroke, or other physical problems resulting
from the long working hours that are common in Japan. It’s a devastating phenomenon that has resulted from the
intense Japanese work ethic that, ironically, was likely the main factor in
Japan’s progress and prosperity after World War II.
At times during my visit, I could sense sadness or exhaustion behind the
stalwart cordial smiles of my Japanese hosts. And I certainly wondered if they ever went home to sleep, as
they were constantly working, moving, and doing everything they could for
me. So perhaps, like most
countries – or people – there is a more melancholy side to Japan that wasn’t
conspicuously apparent during my visit.
Maybe it’s what I sensed amidst the weighty serenity at Koyasan.
Makoto, Masa, and Kyoko...and shabu shabu! |
Aki wears a skirt! |
The amazing staff of Big-I |
This is what I love – and respect – about Japan: there is deep truth,
meaning, and heart in its places, its people, and its lives. But, Japan has learned not to take
itself too seriously; it balances the depths with a cute, well-functioning,
cartoonish surface. People are committed to moving, going, and doing, without
getting hung up on themselves. There’s a quiet pride that is evident: in the
language (words for “excuse me” and “thank you” are most commonly used), in the
clean subways that don’t smell like pee or trash, in the delicate eating. It’s
well-engineered and efficient, with miniature spaces, miniature plants,
miniature items. Smooth and
automated. With an awareness of
what deserves reverence and permanence, balanced with what is fleeting and
relinquishable. An acknowledgement
of significance and insignificance…and simultaneous respect for both.
I was enlightened about the insignificance of material things in
Japan. During my trip, I decided
not to pay extra for service to use my phone. And, I limited my use of e-mail. Surprisingly, while I was
in one of the most technologically advanced societies on the planet, I enjoyed
a technological reprieve that reminded me to breathe and enjoy the delightful
video game around me. When I returned to my bedroom in Los Angeles, even my
limited possessions felt like extraneous clutter. I was overwhelmed by the
junk, the stuff, the noise. In my
cupboards, on Facebook, on the freeways, in my e-mail. I was eager to simplify, and let go of
some things I’d been holding on to.
What I retained was gratitude: for the generosity of the Japanese
people; for a global society that allows us to adventure beyond our comfort
zones; and for the reality that Japan is not a fantasy El Dorado that can only
be reached in my dreams. It’s a lovely country, accessible to walkers and
wheelers alike, where I hope to return one day to satisfy my inner monk.
Children's shrine at Koyasan |
Regan the Japanese mountain monk |
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